Ms Shelton's English and Literature Blog
To help you prepare and revise for all aspects of your English Language and English Literature course
Friday 14 February 2014
Wednesday 22 January 2014
Spoken Language Study year 10
Wednesday 5 June 2013
A Y11 student analyses Eric extremely well.
What
do you think is the importance of Eric and how does Priestley present him?
In
the Edwardian era, England was steeped in hypocrisy and superficiality. Your
step on the social hierarchy ladder was determined by your wealth and material
possessions as opposed to your levels of kindness and moral reasoning.
We
first see Eric’s character sitting at the edges of the tables whereas his
Mother and Father are at opposite ends of the head of the table as if they were
in thrones. This may make Eric feel like he can never become as superior as his
Father and may also be a metaphor, for after the night’s events, Eric never
becoming like his Father.
Eric’s
character is quite complex as we see various sides of him throughout the play
during various scenes.
When
his Father has just been told about his importance in the life of Eva/Daisy,
Birling justifies his own actions and states that there is nothing that could
be done. Eric disagrees with him as he states “He could. He could have kept her
on.” The word ‘kept’ here sounding very permanent to show us how there would be
no mention of anyone getting sacked within his own business. Which would seem a
very rebellious thing to say, especially coming from a middle class family,
would be seen to be a very outlandish thing to do and very out of place for a
middle class child. Although this shows us how Eric already has certain
viewpoints that would agree with the Inspector and Eva as Gerald has also just
heard these accusations but is still siding with Mr Birling. This shows how
Eric must have some sort of moral conscience for the lesser classes before this
event occurred.
I
think at this point, we are supposed to feel a sense of sympathy towards Eric
as he, during the play’s plot, is perceived to have a secret of his own, but he
is at least looking as if he is feeling guilty with himself and is representing
Eva and the working class when he states that his Father should have kept Eva
within his business.
Eric
questions his Father “was this recently?” which makes senses as he may be
thinking that this girl may be the same one which he impregnated. At least he
is seen to then be asking about the girl that we later find out to in fact be
Eva.
When
Eric asks if her firing from the business was the cause of her suicide, Birling
tells Eric to “calm down and to not get excited”. This shows us again his
dismissive nature even though he is being directly confronted of his actions.
The word ‘excited’ here is perceived to be to do with a situation that was
humorous as opposed to the actual situation: one of fatal consequences. This
shows to us again of how Birling
doesn’t relate any of his doings to accumulate to the fatal demise of Eva. It
also shows us of how dismissive he is of Eric’s question which was very
acceptable and relevant at this stage of the play. As a bonded Father and Son
may go into another room to discuss this, there is no more mention of Eric’s
question from Birling and it seems like Eric’s enquiry has been dropped as
quickly as Eva was dropped from the company in September of 1910.
I
perceive JB, here, to be foreshadowing the later events to do with Eric and his
Father. There are definite signs of tension between the two and it is obvious
that they are not of a close-knit bond in which the lesser classes may depict
the middle class families to be. There is always an ‘obligatory’ scene that tells
us the secret of a character and about their murky past and it seems like Eric
is already disgusted by one member of his family’s wrong doings.
This
builds up much tension for the audience as we observe one after another, how
the characters are being exposed to their murky past behaviour. We perceive how
all members of the family have all done deeds they are ashamed of and each
scene leaves the audience waiting to see what will be uncovered next. And as
the play is perceived through three acts, the tension is built up throughout
the play towards the final scene when all secrets have been revealed. This is
metaphorical for how the middle class families are believed to be superior when
they share all the same traits as the lower classes and there is no difference
between the morals of the middle class and others.
During
Eric’s confession part in the play, we see him try to make an attempt to make
things okay for Eva, financially. When talking about the money he stole to give
to Eva, he states: “until she refused to take any more.” This shows us how Eric
has been financially stabilising Eva and has done all in his power to help make
sure she was okay and has the necessities she needed.
I
perceive JB to have shown this side of Eric to make us feel as if he is being
responsible for his actions, as opposed to his Father who is refusing to mark
his firing of any significance to the demise of Eva. We could say that Eric is
being more mature than his Father and that his Father is very cowardly at the
side of Eric, which could be seen as dramatic irony as his Father is always
seated at the head of the table and is seen as ‘the head’.
Through
Eric’s character, it is obvious that JB has the intention of changing the
society in which they currently reside. He is in the position to manipulate
Eric’s character to be one which is perceived to have empathy for the working
class and Eva especially.
I
also think that JB Priestley wants us to depict that it is Eric and Sheila’s
generation that change the society as there is a political metaphor that the
conservative government had been ruling during the First World War and
continued for the Second World War which is depicting the thousands of deaths
of Eva Smiths and John Smiths. When there is a new socialist labour party, this
is seen as the era when the younger ones; such as Sheila and Eric are the
leaders as far as businesses go etc, and so are in charge of helping there to
be a better society for all the Eva Smiths and John Smiths out there.
A y11 student compares Come on Come Back and Hawk Roosting
Compare
how the poets present the effect of conflict in ‘Come On, Come Back’ and one
other poem.
Conflict would be mainly seen to be in physical
fights and such arguments but conflict is also apparent in the poems ‘Come On,
Come Back’ and ‘Hawk Roosting’. In these poems, we can interpret there to be
much inner conflict within the stanzas.
The poems share themes of power, violence, death
and delusion. There is a large semantic field of negativity in both poems, such
as: ‘hooked’ ‘kills’ ‘tearing’ ‘death’ and ‘locked’ in ‘Hawk Roosting’. These
words give us the image of a confident and strong force as we can almost hear
the tearing heads of prey with the onomatopoeia of ‘tearing’.
COCB also shares this theme of death with the
semantic field of ‘dead’ ‘icy’ ‘black’ ‘bitterly’ treacherous’ ‘seizing’
‘enemy’ - this gives us the visualisation of a
higher power’s grasp of Vaudevue which could be symbolism for the governmental
power upon the country[s1] [KE2] .
We see the symbolism with the quote: ‘ML5 Has left her just alive’. In this
quote, we are aware that the government have been using the young girl soldiers
and now we see how badly Vaudevue currently is. ‘ML5’ seems to be quite a
strong force as when Smith puts: “has left her”, it sounds as if the ML5 has
very human characteristics and we see Smith personifying the chemical. The word
“just” here, makes the reader really visualise the girl to be near death, as
opposed to how we would feel if the poet had wrote ‘has left her alive’. We see
how the war is affecting the civilians and how it has impacted upon them.
‘Hawk Roosting’ can be viewed as simply a poem
about nature as the quote: “The convenience of the high trees! The air’s
buoyancy and the sun’s ray” shows us of what nature means to the hawk. When he
talks about the trees, he talks about them being an ‘advantage’ to him which
gives us the sense that the hawk is dependent upon the beauty of nature and is
thankful for it.
There is also a large political metaphor in the ‘Hawk
Roosting’ poem, that the hawk is metaphorical for bullies and political
leaders, this could signify the bird’s inner weakness thus being the reason for
the gradient downward slope of stanza length, representing the gradual growing
weakness of the hawk.
We also see a gradual degrade of weakness within
‘Come On, Come Back’ as there could be said to be a look of a heartbeat in the
stanza length, which represents the journey that she is going through and her
coping with those conflicts, like in ‘Hawk Roosting’ as we see him losing
power. As the poem comes to three shorter lines at the
end and no more lines that would reflect the look of a pulse, this is
metaphorical for the end of her journey eg: death. But it could also represent
the end of the war that was currently going on that Vaudevue had to deal with.
The hawk’s manner could be metaphorical for the
government’s ideologies: thinking that they are powerful when really, they are
degrading. This links with ‘Come On, Come Back’ as the government may think
that their tactics are winning them the war but in reality, it is killing many
individuals of their country. There is a definite
theme of delusion[s3] [KE4]
within the poems. There is language to support this as in HR, the poet states:
“Nothing has changed since I began” and it is obvious that the Earth has
drastically changing all the time. The word “nothing” shows to us of how
strongly the hawk feels this way about his homeland and to him, there is no
other interpretation. In COCB there is a sense of delusion with the quote: “the
icy waters of the adorable lake”. The oxymoron here of the words “icy’ and
‘adorable’ shows us that it is Vaudevue’s mind-set that is perceiving the
waters to be this way and that in reality, it’s the ‘icy’ waters which later ‘seize
her in’ and ‘close above her head’. This can be blamed on the emotional
stability of Vaudevue and shows to us how delusional she was being to have
perceived the lake to be anything but dangerous.
We perceive there to be lots of enjambment used
throughout the poems such as: “over the ground she goes” in COCB and “my flight
is direct” in HR. This could be metaphorical for them both being on their
journeys together and their lives flowing in similar directions.
Similarly within the individual stanzas, there
seems to be no regular pattern there so in both poems we could say that there
is inner conflict with their emotions and represents their personal changing
views and individual ideologies.
The poems differ with their endings as the hawk
is seen to be arrogantly delusional with the line “I am going to keep things
like this.” The final ending of the full stop may be a glimpse of the hawk’s
inner conflict as he tries to persuade himself that ‘I am fine’ and that ‘I’m
not degrading, I am still strong.’ Whereas in ‘Come On, Come Back’ we see that
the conflicting thoughts have been enough to end her life as she commits
suicide at the end of the poem. We see this with the final line: ‘Come On, Come
Back’. The end stopped line [s5] [KE6] here
signifies the end of her conflicting thoughts and the end of her life.
These endings of the poems could mirror the
titles of the poems. COCB could be perceived to be so because it is the
favourite song of Vaudevue and the theme of thoughts from many people waiting
for Vaudevue to ‘come on, Vaudevue, come back’.
‘Hawk Roosting’ could mirror the final words of
the poem as the hawk, for me, has persuaded himself of his status and is then
‘roosting’: meaning here to congregate for rest or sleep; sound in conscience
as he has blinded himself with his deluded ideologies.
[s1]I
think I would like to see you picking a longer quote to really analyse in
detail now. The semantic field work is
great but to really push your grade it would be helpful to choose a juicy quote
and go through how it shows that symbolism here.
[s3]This
is interesting – can you find language which supports this interpretation?
[s5]It
would be better to call this an end stopped line as this would credit you for
structure
Gothic Literature - some final revision
These are valuable resources that I have found: you may wish to have a look at some in preparation
Gothic in General:
General protential exam questions are here
General reminders of the features of the gothic are here
General information about assessment objectives and skills are here
Some ideas about starting essays on Wuthering Heights and The Bloody Chamber here
Gothic in General:
General protential exam questions are here
General reminders of the features of the gothic are here
General information about assessment objectives and skills are here
Some ideas about starting essays on Wuthering Heights and The Bloody Chamber here
Resources on Macbeth as a Gothic Text
Really useful summary here
Revision slideshare here
The York Notes on Macbeth as Gothic for A2 here
This site tells you how to revise here
More useful general views of how Macbeth is Gothic here
But this reminds you that it is a tragedy.
Resources on Wuthering Heights as a Gothic Text
How far is Wuthering Heights a gothic text here
General view from Schmoop here
More general essay on gothic elements here
How far? Its also a Romantic Novel and more about potential genre here
Resources on The Bloody Chamber as a Gothic Text
Sex in The Bloody Chamber here
More on general gothic elements here
Potential exam questions here
The York Notes for A2 are here
Revision cards here
Post-modernism and gothic here for A/A*
Best of luck Year 13!
Sunday 2 June 2013
Presentational Features
In your exam you will be asked to write about presentational features. If you are doing English language and literature this will be for Q2 and will ask you to link headline and photo to the text. If you are sitting English only (and you didn't sit any literature exams) you will compare presentational features in two texts.
The very worst answer as to why that feature is used is always 'to attract the reader's attention'. Well, of course it is. This is so obvious that it needs explaining to show you understand the feature: 'to bring the reader's attention to the important theme in the headline regarding X which is the main focus of the story, as shown by the quote "x..." is far better for Q2 on Lang/Lit. If you are going to write about the reader's attention be specific and explain in detail.
Headlines.
These are important and in Q2 they need to be linked to the text. Headlines are not just there 'to tell the reader what the article is about'. In fact, most headlines don't do that: they may startle the reader ('Horror Crash') or amuse the reader ('Slimezilla!').
Headlines tend to use set formulae, use this as a mental checklist -
Puns? Is there a play on words like 'Slimezilla!' in January's exam which was appropriate as the article was about monster jellyfish in Japan and Godzilla was a Japanese monster. Oh, and jellyfish are slimy.
Alliteration - there is often an alliterative aspect to a headline which highlights the key words or concepts. Think about the sounds alliteration makes - S sounds (sibilance) can be sinister and suspicious (see?): f sounds angry as are plosives such as 'b' or 'p' - or plosives can also be excitable.
Important Colons: leading to more detail. Many headlines have two words, then a colon, then subsidiary detail about the story. The central message of the article is summarised in the first two words and then developed further after the colon. Check your article and find quotes that prove this.
Pictures: the picture is not there 'to show the reader more about the story', this is not an analytical answer. Picture editors at newspapers choose and photoshop images to give certain messages. You need to read the article and work out what that message is.
Colour: what are the connotations of the colours in that image? Blue can be linked with depression or sadness, but also professionalism, or hope (blue skies). Think about the tone of the article and how the colour choice supports it.
Facial expression / shot type: one of the most obvious things to write about, but also the hardest, is facial expression. As a human you are brilliant at reading the message that other people's facial expressions are giving you. Transfer this skill to the article. What emotion or thought is that face having? How can you link it to the article? Is there eye contact between the person in the picture and the reader to create a sense of relationship or empathy?
What about the background? The setting is vital. How is it shot? What can we see and what messages are there? Link this to the text clearly.
For A/A* - could we see the picture as metaphorical? Is there something there that could be far more symbolic of the entire tone or message of the article?
For English only: what about slogans or logos? Text boxes? Fonts?
For English Language and Literature only: you are linking the headline to the text and the picture to the text. DO NOT LINK THE HEADLINE TO THE PICTURE UNLESS ASKED TO. To do this you need to find quotes in the text and ask yourself how the central message or argument in that text is reflected in the picture or headline. In 12 minutes.
- Posted using BlogPress from my iPhone
The very worst answer as to why that feature is used is always 'to attract the reader's attention'. Well, of course it is. This is so obvious that it needs explaining to show you understand the feature: 'to bring the reader's attention to the important theme in the headline regarding X which is the main focus of the story, as shown by the quote "x..." is far better for Q2 on Lang/Lit. If you are going to write about the reader's attention be specific and explain in detail.
Headlines.
These are important and in Q2 they need to be linked to the text. Headlines are not just there 'to tell the reader what the article is about'. In fact, most headlines don't do that: they may startle the reader ('Horror Crash') or amuse the reader ('Slimezilla!').
Headlines tend to use set formulae, use this as a mental checklist -
Puns? Is there a play on words like 'Slimezilla!' in January's exam which was appropriate as the article was about monster jellyfish in Japan and Godzilla was a Japanese monster. Oh, and jellyfish are slimy.
Alliteration - there is often an alliterative aspect to a headline which highlights the key words or concepts. Think about the sounds alliteration makes - S sounds (sibilance) can be sinister and suspicious (see?): f sounds angry as are plosives such as 'b' or 'p' - or plosives can also be excitable.
Important Colons: leading to more detail. Many headlines have two words, then a colon, then subsidiary detail about the story. The central message of the article is summarised in the first two words and then developed further after the colon. Check your article and find quotes that prove this.
Pictures: the picture is not there 'to show the reader more about the story', this is not an analytical answer. Picture editors at newspapers choose and photoshop images to give certain messages. You need to read the article and work out what that message is.
Colour: what are the connotations of the colours in that image? Blue can be linked with depression or sadness, but also professionalism, or hope (blue skies). Think about the tone of the article and how the colour choice supports it.
Facial expression / shot type: one of the most obvious things to write about, but also the hardest, is facial expression. As a human you are brilliant at reading the message that other people's facial expressions are giving you. Transfer this skill to the article. What emotion or thought is that face having? How can you link it to the article? Is there eye contact between the person in the picture and the reader to create a sense of relationship or empathy?
What about the background? The setting is vital. How is it shot? What can we see and what messages are there? Link this to the text clearly.
For A/A* - could we see the picture as metaphorical? Is there something there that could be far more symbolic of the entire tone or message of the article?
For English only: what about slogans or logos? Text boxes? Fonts?
For English Language and Literature only: you are linking the headline to the text and the picture to the text. DO NOT LINK THE HEADLINE TO THE PICTURE UNLESS ASKED TO. To do this you need to find quotes in the text and ask yourself how the central message or argument in that text is reflected in the picture or headline. In 12 minutes.
- Posted using BlogPress from my iPhone
Wednesday 29 May 2013
How to revise English Language
You can't revise English Language? Of course you can Y11
There are these infographics on A/A*
The wonderful Mr Barton's A and C revision materials can all be found here
BBC Bitesize is always an excellent resource
Wildern English for English and English Language revision
Then there is Cherwell Online's revision channel
Or the internet sensation that is Mr Bruff
There is also your exercise book, your revision guides and a whole world of quality reading on websites such as The Guardian, The Independent and the BBC - you ought to read non-fiction texts to get ready for your exam on Tuesday.
There are these infographics on A/A*
The wonderful Mr Barton's A and C revision materials can all be found here
BBC Bitesize is always an excellent resource
Wildern English for English and English Language revision
Then there is Cherwell Online's revision channel
Or the internet sensation that is Mr Bruff
There is also your exercise book, your revision guides and a whole world of quality reading on websites such as The Guardian, The Independent and the BBC - you ought to read non-fiction texts to get ready for your exam on Tuesday.
Subscribe to:
Posts (Atom)